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Showing Collections: 1 - 5 of 5

Claude Howell's Classification of Art Prints

 Collection
Identifier: SC-MS-076
Scope and Contents

A complete art history guide to art prints classified by country of origin, artist and year. This history covers prehistoric monuments, bronzes, tools, stone sculptures and coins as expressions of art to the modern day works of the western culture.

Dates: Undated

Fritzi Huber Papers

 Collection
Identifier: SC-MS-213
Scope and Contents This collection contains papers, photographs, and original artwork, which highlight the career of local Wilmington artist, Fritzi Huber. Spanning from the 1970s to the early 2000s, this collection includes a wide range of papers: correspondence, artist statements, resumes, press releases, brochures/newsletters, artists/gallery agreements, price list purchase orders, invoices, packing slips, gallery floor plans, and consignment agreements. Also included within the collection are...
Dates: 1979-2004

Gayle Tustin Papers

 Collection
Identifier: SC-MS-221
Scope and Contents This collection contains papers and media related to the career of local Wilmington artist Gayle Tustin. The collection includes sketchbooks, preliminary plans, interviews, magazine articles, applications, records, artists' biography, consignment forms, material lists, photographs, postcards, and brochures that map Tustin's artistic career from the early 1980s to the early 2000s. The collection ranges in terms of the size and scope of projects, including local commissions and plans for...
Dates: 1981-2006

Pam Toll Papers

 Collection
Identifier: SC-MS-278
Abstract

Pam Toll is a Wilmington based artist and professor as well as the co-founder and co-director of Acme Art Studios. The collection contains Toll's personal papers documenting her career and involvement in the community and with Acme Art Studios.

Dates: 1980-2019

St. John's Art Gallery Papers

 Collection
Identifier: SC-MS-349
Scope and Contents This collection contains papers, artifacts, and media related to the establishment and day-to-day operations of St. John’s Art Gallery. It emphasizes exhibits by providing insight into the world of art and curation techniques at the time. Moreover, the collection follows the remodel of St. John’s as they attempted to expand and play host to larger exhibits. This collection includes by-laws, consignment forms, reports, planners, press releases, brochures, correspondence, architectural plans,...
Dates: 1962-2010